from TIMES SQUARE to MILAN. THE AESTHETIC THAT TRANSFORMs SPACE INTO EXPERIENCE.
COLLABORATIONS, COMMISSIONS AND LICENSES FOR BRANDS, COMPANIES and SPACES THAT DON'T WANT TO LOOK LIKE EVERYONE ELSE
Are you a brand or a company?
You have a budget. You have a campaign. You have a deadline.
You also have a problem that no one ever mentions in meetings: everything already looks familiar.
Stock images are the same ones your competitor uses. Motion designers produce the same style that was trending six months ago. Creative agencies offer you variations of the same template.
Meanwhile, your brand is becoming invisible, at the exact moment when it needs to be recognizable.
There is an alternative.
It is not a new agency.
It is an aesthetic no one can copy, because no one else owns it.
You have a budget. You have a campaign. You have a deadline.
You also have a problem that no one ever mentions in meetings: everything already looks familiar.
Stock images are the same ones your competitor uses. Motion designers produce the same style that was trending six months ago. Creative agencies offer you variations of the same template.
Meanwhile, your brand is becoming invisible, at the exact moment when it needs to be recognizable.
There is an alternative.
It is not a new agency.
It is an aesthetic no one can copy, because no one else owns it.
Are you an interior designer or an architect?
You have designed every inch of the space. The materials, the proportions, the light.
Then comes the moment for art.
And suddenly you are faced with two equally wrong options:
An original artwork that can enter your project, with an investment calibrated to the context — not to the art market as a closed system.
You have designed every inch of the space. The materials, the proportions, the light.
Then comes the moment for art.
And suddenly you are faced with two equally wrong options:
- the artwork that costs as much as half the project;
- or the decorative print that diminishes all the work already done.
An original artwork that can enter your project, with an investment calibrated to the context — not to the art market as a closed system.
Are you a Company or an HR/CSR Manager?
The spaces where people work always communicate something. Even when you don’t think about it.
An office with generic art says: “We are a company like any other.”
Companies that understand visual culture as an asset — not decoration — have stopped buying pictures.
They have started investing in artworks. The difference is not aesthetic. It is strategic.
The spaces where people work always communicate something. Even when you don’t think about it.
An office with generic art says: “We are a company like any other.”
Companies that understand visual culture as an asset — not decoration — have stopped buying pictures.
They have started investing in artworks. The difference is not aesthetic. It is strategic.
TWO WAYS TO WORK WITH DAMIANO FASSO. CHOOSE THE ONE THAT FITS YOU.
PRODUCT 1 — USAGE LICENSE
For brands, companies, publishers, and creative agencies.
You want the image. Not the painting.
With a usage license, you obtain the right to use an artwork by Damiano Fasso — or elements of his aesthetic — for your specific project.
Advertising campaigns. Packaging. Digital content. Visual communication. Publishing. Branded content.
The artwork remains by Damiano. You get what you actually need: an original, non-replicable aesthetic, with an investment calibrated to your project.
Non-exclusive and exclusive licenses available. Response within 48 hours.
PRODUCT 2 — ORIGINAL ARTWORK
For collectors, interior designers, and companies investing in culture.
You want the unique piece. The one no one else will ever have.
An original artwork by Damiano Fasso enters your space, your collection, your visual identity — and increases in value over time.
It is not decoration. It is a cultural asset. It is the difference between a space that is forgotten and a space people talk about.
Custom commissions and works available in the studio. Formats range from small collectible pieces to large-scale installations.
The advantage no one tells you about
Usage licenses and original artworks do not exclude each other.
You can purchase a license for a campaign while the original artwork remains available for a collector.
Or you can acquire the original artwork knowing that its commercial visibility — campaigns, brands, and media exposure — increases its value over time.
It is not just art.
It is strategy.
You don’t have to trust Damiano. You just have to look at who already has.
NAMES THAT SPEAK FOR THEMSELVES
Generali Ensurances— Milan
Installation in corporate spaces. Curated by Rebecca Russo.
Times Square — New York
Two editions. 2023 and 2024. Monumental screens. Art Innovation Gallery.
Venice Biennale — since 2001
First participation in the 49th edition with the collateral event Markers.
Ministry of Enterprises and Made in Italy - Rome
An artwork exhibited in the Sala degli Arazzi of the ministerial headquarters, accompanied by a dedicated conference.
Museum of Oriental Art — Venice
Solo exhibition in one of Europe’s most fascinating state museums.
National Museum Collezione Salce — Treviso
A museum dedicated to advertising graphics that has enriched its collections by acquiring the artist’s works.
CONTINUOUS PRESENCE IN THE INTERNATIONAL ART SYSTEM
Seoul, Miami, Bologna, Turin, Rome, Milan.
Europe, the United States, Asia.
He is not a local artist with international ambitions.
He is an international artist with Italian roots.
THE COLLECTIONS THAT VALIDATE THE VALUE
Damiano Fasso’s works are included in:
VideoInsight Collection — one of the most important video art collections in Italy.
Fondazione Venezia per la Ricerca sulla Pace — public foundation, Venice.
National Museum Collezione Salce — public museum institution, Treviso.
China-Italy Yearbook of Contemporary Art 2025 — selected by the scientific committee.
Private collections in Italy, Europe, and the United States.
When an artwork enters a public museum collection, the market registers that presence.
Value is not an opinion. It is documented.
THE NUMBERS
25 years of career.
4 continents.
2 exhibitions in Times Square.
1 national museum collection.
1 collection of a national public foundation.
Zero compromises on aesthetics.
Seoul, Miami, Bologna, Turin, Rome, Milan.
Europe, the United States, Asia.
He is not a local artist with international ambitions.
He is an international artist with Italian roots.
THE COLLECTIONS THAT VALIDATE THE VALUE
Damiano Fasso’s works are included in:
VideoInsight Collection — one of the most important video art collections in Italy.
Fondazione Venezia per la Ricerca sulla Pace — public foundation, Venice.
National Museum Collezione Salce — public museum institution, Treviso.
China-Italy Yearbook of Contemporary Art 2025 — selected by the scientific committee.
Private collections in Italy, Europe, and the United States.
When an artwork enters a public museum collection, the market registers that presence.
Value is not an opinion. It is documented.
THE NUMBERS
25 years of career.
4 continents.
2 exhibitions in Times Square.
1 national museum collection.
1 collection of a national public foundation.
Zero compromises on aesthetics.
"A multifaceted artist whose work spans graphics, photography, video art, and painting on a wide variety of media."
(Marta Boscolo Marchi, Director M.A.O. Venice)
"The exhibitions selected by Spazio Leonardo always tend to align with corporate values, and the video art project Art Routine For Well Being was no exception. Spazio Leonardo is, in fact, the concrete embodiment of the philosophy of Leonardo Ensurances, a company that aims to have a positive impact on society, culture, and the environment by promoting people's psychological and physical well-being. A working environment that simultaneously becomes a channel for promoting well-being, improving quality of life, and stimulating human resources. Art itself is one of the fundamental tools for activating processes of personal growth and evolution. The title of the exhibition, consisting of eight stations and 25 works by artists, clearly highlights the message: enjoying art in everyday life to improve individual well-being. The two works by Damiano Fasso selected for the first station, for example, are an invitation to love life, in every moment, abandoning the current bellicose frenzy" (Leonardo Ensurances - Generali Agency Milan)
"We have always appreciated Damiano Fasso's unconventional pursuit of simplicity in his subjects, which convey much deeper meanings. For our work "Love Me or Hate Me," it was love at first sight: the pure white, the softness of the plush contrasting with the weapon's symbolism. Having carefully followed Damiano's artistic journey for years, we can confidently say that behind this multifaceted artist lies a fantastic person. We are proud to have his artwork in our home!"
(Angela Massarotto & Michele Foresta/Mago Forest)
"His work centers the mission of Videoinsight Art for Care: the prevention and care of people's physical and mental well-being through contemporary art."
(Rebecca Russo, VideoInsight Foundation)
"Damiano Fasso's innovative artwork represents the artistic and contemporary synthesis of the message of peace as an entity independent of war. "
(Antonio Calò, Venice Foundation for Research on Peace)
(Marta Boscolo Marchi, Director M.A.O. Venice)
"The exhibitions selected by Spazio Leonardo always tend to align with corporate values, and the video art project Art Routine For Well Being was no exception. Spazio Leonardo is, in fact, the concrete embodiment of the philosophy of Leonardo Ensurances, a company that aims to have a positive impact on society, culture, and the environment by promoting people's psychological and physical well-being. A working environment that simultaneously becomes a channel for promoting well-being, improving quality of life, and stimulating human resources. Art itself is one of the fundamental tools for activating processes of personal growth and evolution. The title of the exhibition, consisting of eight stations and 25 works by artists, clearly highlights the message: enjoying art in everyday life to improve individual well-being. The two works by Damiano Fasso selected for the first station, for example, are an invitation to love life, in every moment, abandoning the current bellicose frenzy" (Leonardo Ensurances - Generali Agency Milan)
"We have always appreciated Damiano Fasso's unconventional pursuit of simplicity in his subjects, which convey much deeper meanings. For our work "Love Me or Hate Me," it was love at first sight: the pure white, the softness of the plush contrasting with the weapon's symbolism. Having carefully followed Damiano's artistic journey for years, we can confidently say that behind this multifaceted artist lies a fantastic person. We are proud to have his artwork in our home!"
(Angela Massarotto & Michele Foresta/Mago Forest)
"His work centers the mission of Videoinsight Art for Care: the prevention and care of people's physical and mental well-being through contemporary art."
(Rebecca Russo, VideoInsight Foundation)
"Damiano Fasso's innovative artwork represents the artistic and contemporary synthesis of the message of peace as an entity independent of war. "
(Antonio Calò, Venice Foundation for Research on Peace)
FROM "I AM INTERESTED" TO "PROJECT STARTED" IN 4 STEPS. NO SURPRISES.
STEP 1 — You contact me today
Fill in the form below, choosing the type of collaboration.
Or write directly to [email protected]. You don’t need a perfect brief. You don’t need to know exactly what you want.
You only need to tell me which direction you are looking in.
Response guaranteed within 48 business hours.
STEP 2 — Introductory call within the first week
A 30-minute call. No commitment. No surprise quotation.
We talk about your project, your space, your brand.
I understand what you really need — whether it is a license, a commissioned artwork, or something that does not yet have a precise name.
You speak. I listen.
Then I propose.
STEP 3 — Tailor-made proposal within 5 business days from the call
You receive a clear and detailed proposal.
Collaboration method. Type of license or artwork. Production timeline.
Precise investment — with no hidden items.
No document to sign at this stage. Only a proposal that you can accept, reject, or modify. The process is yours as much as it is mine.
STEP 4 — We begin when you are ready
Contract. Creative briefing. Start of the collaboration.
From this moment on, you have a direct contact — not an agency, not an assistant, not an automatic form.
Damiano Fasso personally works on every project.
This is why the artworks work and clients come back.
I work with a limited number of projects at a time, to ensure the quality every collaboration deserves.
The first step costs nothing. It only costs the time to write two lines. We manage the rest together.
STEP 1 — You contact me today
Fill in the form below, choosing the type of collaboration.
Or write directly to [email protected]. You don’t need a perfect brief. You don’t need to know exactly what you want.
You only need to tell me which direction you are looking in.
Response guaranteed within 48 business hours.
STEP 2 — Introductory call within the first week
A 30-minute call. No commitment. No surprise quotation.
We talk about your project, your space, your brand.
I understand what you really need — whether it is a license, a commissioned artwork, or something that does not yet have a precise name.
You speak. I listen.
Then I propose.
STEP 3 — Tailor-made proposal within 5 business days from the call
You receive a clear and detailed proposal.
Collaboration method. Type of license or artwork. Production timeline.
Precise investment — with no hidden items.
No document to sign at this stage. Only a proposal that you can accept, reject, or modify. The process is yours as much as it is mine.
STEP 4 — We begin when you are ready
Contract. Creative briefing. Start of the collaboration.
From this moment on, you have a direct contact — not an agency, not an assistant, not an automatic form.
Damiano Fasso personally works on every project.
This is why the artworks work and clients come back.
I work with a limited number of projects at a time, to ensure the quality every collaboration deserves.
The first step costs nothing. It only costs the time to write two lines. We manage the rest together.
You have read this far.
You already know whether it makes sense to talk.
Write.
The rest follows.
Damiano Fasso replies personally.
Within 48 hours.
Always.
You already know whether it makes sense to talk.
Write.
The rest follows.
Damiano Fasso replies personally.
Within 48 hours.
Always.